Table Of Content
- A Space-Saving Home Office in Melbourne by Atticus & Milo
- Peek Inside a Photographer’s Renovated Bungalow on Sydney’s Northern Beaches
- Houzz TV
- Australia House: The story of Australia’s unforgettable outpost in the heart of London
- An Indoor-Outdoor Lounge in Tweed by Donna Guyler Design
- China's man in the Pacific has been booted out of office — and Australia is breathing a sigh of relief
The Youth Advocacy Centre has written a scathing letter to the state, after a "summer of human rights abuses," as described by the state’s Human Rights Commissioner. Ms Hayes said the case would be based on specific cases of children who have suffered maltreatment. “Outdoor projects are heating up across Australia, in particular, we can see users want to undertake improvement around their entrance areas, with searches for ‘front door’ inspiration experiencing a 666% year-on-year upswing. “There is something to be said about a moody wash space, and we’ve noticed a growing number of ‘dark’ inspired spaces cropping up in homes on Houzz, with searches growing up by 294% more than the previous year.
A Space-Saving Home Office in Melbourne by Atticus & Milo
Preparations for the construction of the building were soon underway, and the attempt to shape diverse aspirations into material form commenced. In August 1918, long before Parliament House opened in Canberra, Australia House stood proudly in the Strand. Accompanied by a flourish of trumpets, the King declared the stone ‘well and truly laid’ and, at Reid’s instigation, the crowd responded with cheers and a smattering of cooees. If a breach in court etiquette, the ardent applause and shouts were reportedly none the less welcome.
Peek Inside a Photographer’s Renovated Bungalow on Sydney’s Northern Beaches
The keen eye will also spot other flora and fauna indicative of the country, including grapes and pearls, not to mention the kangaroo and emu, which appear on the Australian coat of arms. Indeed, Australian plants and animals are found poking out from behind almost every corner. By the time of the building’s completion and official opening in August 1918, the fledgling nation of Australia had voluntarily answered the call of ‘King and Country’. Having made huge sacrifices towards the Allied victory, Australia had proven its loyalty and Australia House stood as a grandiose emblem of its steadfast allegiance.
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Opening directly above the vestibule area, on the first storey, is a glass-covered rotunda (Fig 4), drawing the eye up almost immediately as one enters the building. Apart from shedding light deep into the space beneath, this rotunda acts as a transitionary zone between the High Commissioner’s office (Fig 2), at the very front of the building, and the library-cum-conference room above the exhibition hall. The latter of these two spaces, stately in appearance, is large and quadrangular in shape. As in the hall beneath, it is decorated with Caleula marble columns, only this time in pilaster form with gilt capitals (Fig 6). The public concourse — including vestibule, main stair (Fig 5) and hall — was illustrative of the abundance and fecundity of this resource-rich land.
In 1910, he was appointed Australia’s first high commissioner in London, a position he held until 1916, when he won a seat in the British House of Commons and became the only Australian to sit in the colonial, Commonwealth and Imperial parliaments. King George V presented this walking stick to Sir George Reid on the laying of the foundation stone of Australia’s high commission in London. Often caricatured over his rotund stature, Reid relied on a walking stick, and this one bears signs of wear. While Australia House far exceeded the needs of a small nation when it was first built, by its peak in the 1960s-70s, during the post-war era of assisted migration, it was bursting at its seams with more than 1000 staff.
“These materials were transported to London while our boys were fighting on the Western Front,” former High Commissioner Mike Rann told the Telegraph. While Australia House is celebrated today, at the time of its construction the project was viewed by many as a white elephant which had blown out of all proportion, costing about a million pounds in the money of the day. “I think it would have been the equivalent of spending about £500 million today, on building an embassy building during a war,” Mr Downer said. The symbolism also continues outside, with six colonnades on the Strand side of the building each representing the Australian states. A bronze sculpture over the entrance of the god Apollo driving the horses of the sun - echoing the Rising Sun emblem worn by Australian soldiers in World War 1 - was designed by Australian sculptor Bertram Mackennal. It is an architectural jewel, London’s finest example of the belle époque style which flourished here briefly in that short span of time between the end of the Gothic revival and the blight of modernism.
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This is most evident in the lavishly decorated Downer room, the hall named in honour of Mr Downer’s father, who also served as a High Commissioner. This crucial nation-building mission can still be seen today in physical form, literally built into the floors and walls of the unique semi-gothic looking design. But these modern dalliances with popular culture are far from the most interesting events that have defined the fascinating history of the oldest continuously occupied diplomatic mission in London. The Australian String Quartet practices for a concert hosted by the agent-general of South Australia; cultural outreach is another task performed by diplomatic missions overseas. The Exhibition Hall features nine chandeliers of Empire design, made in Milan using hand-cut Bohemian crystal.
As Australia had been six independent crown colonies before federation, a degree of rivalry existed between them. Indeed, even following political union, these states — as they became — jealously guarded their limited independence and sense of identity. This created a tension in the requirement of each state to be represented in the building, with their own office space. This was exacerbated by the fact that the government of Victoria already had its own premises at the south-west corner of the site (Victoria House), built in 1909. Tall and slender, this building was designed by Alfred Burr, with the assistance of Norman Shaw, in a heavily rusticated Baroque Classicism. It had been envisaged as the first instalment of a much larger building encompassing the other Australian states.
The pairing of British and Australian materials on the exterior is carried through inside. As visitors enter the building, they are greeted by a magnificent, elongated vestibule (Fig 7), beyond which lies a large space that once served as an exhibition hall (Fig 1). Both spaces are lavishly decked in 1,200 tons of veined and mottled Australian marbles from Buchan in Gippsland, Victoria, and Caleula in New South Wales. G. Jenkins & Sons of Torquay in the same, ebullient style of Classical architecture as the exterior. Its effect is marvellously enhanced through gilding and a considerable amount of bronze decoration in the form of metopes and rosettes, wreaths and trophies.
And while you can spend hours scouring home publications or Pinterest, home renovation and design platform Houzz has made it easy to do so, with its annual ‘Best Of’ awards, which recognises the best of the best in homes. You can see what furniture pieces and homewares they brought together, how they made use of a space and what the overall feeling is when you look at the home, all information and learnings you can then bring into your interior design. The 1910 election was the first to elect a majority government, with the Australian Labor Party also winning the first Senate majority.
An imposing home for the newly federated Commonwealth of Australia sought through its design and materials to celebrate themes of union with Britain and national self worth, as Prof G. A. Bremner explains. Vivid Sydney Presents - In Conversation with Amy Poehler will be held at the Joan Sutherland Theatre, Sydney Opera House. Following the event, a bespoke Inside Out 2 projection will light up Customs House at Circular Quay for a one-off, 30-minute projection. Nicole and Tom, who wed in 1990, adopted their second child just after his birth in January 1995. In 2008, Connor got a glimpse of the Hollywood spotlight when he starred alongside Will Smith in the drama Seven Pounds.
According to the Constitution, the powers of both Houses are nearly equal, with the consent of both Houses needed to pass legislation.[13] The difference mostly relates to taxation legislation. In practice, by convention, the person who can control a majority of votes in the lower house is invited by the governor-general to form the government. Bills appropriating money (supply bills) can only be introduced or amended in the lower house[13] and thus only the party with a majority in the lower house can govern. In the current Australian party system, this ensures that virtually all contentious votes are along party lines, and the government party usually has a majority in those votes in the lower house.
Domestic committees, which are responsible for administering aspects of the House's own affairs. These include the Selection Committee that determines how the House will deal with particular pieces of legislation and private members business and the Privileges Committee that deals with matters of parliamentary privilege. Scottish architects designed the Australia House building after winning an architectural competition. Alexander Marshal Mackenzie and Son were awarded the project by leading Australian artists – Arthur Streeton, John Longstaff, Fred Leist, George Lambert and Bertram Mackennal. Mackennal, an Australian sculptor and medallist, famous for designing the coinage and stamps bearing the likeness of George V, was also a judge for the architectural competition.
The Constitution of Australia of 1900 established the House of Representatives in a newly federated Australia. Members of the House are elected from single member electorates (geographic districts, commonly referred to as "seats" but officially known as "Divisions of the Australian House of Representatives"). One vote, one value legislation requires all electorates to have approximately the same number of voters with a maximum 10% variation.
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